Persephone: the 17th century

In my last post we looked at the story of Persephone in the 16th century, when the rape (i.e., kidnapping) of Persephone was a popular theme from the story. We now move on to the 17th century, looking first at pictures of the rape and then a few pictures of Persephone in the underworld.

In the first decade of the century, Hendrik van Balen painted Pluto and Persephone, which is now in the Brighton Museum and Art Gallery.



Bernini's 1621-1622 statue of Pluto and Proserpina is now in Rome's Galleria Borghese. (public domain image from Museum Syndicate)



Rembrandt painted the above Rape of Persephone in 1631, which is Berlin's Gemäldegalerie, but does not appear to be on their website.



Pignoni's 1650 above L'Enlèvement de Proserpine is now in Nancy's Musée des Beaux-Arts.



In the early 1680s Giordano painted a series of oil studies or modelli which are now in London's National Gallery. These were preparation for a series of frescoes in Florence's Palazzo Medici Riccardi, one of which, showing the rape of Proserpina, is shown above.



Turning to the theme of Persephone in the underworld, the above detail from a 1622 picture of Hell by François de Nomé. The complete picture is now in Besançon's Musée des Beaux-Arts et d'Archéologie.(image used under creative commons licence, courtesy of baroque-in-art.org) Paris's Louvre has a painting of Orpheus before Pluto and Persephone by Perrier and dating from 1647-1650. (unless otherwise ascribed, all images in this post are in the public domain and come from wikicommons)

To finish this look at Persephone in the 17th century here is an extract from the overture to Lully's opera Proserpina. YouTube also has extracts from Act III amongst the related videos.

Perseus and Phineus

Ovid starts Book V of the Metamorphoses by continuing the story of Perseus. Phineus, who had been betrothed to Andromeda, starts a fight at Perseus and Andromeda's wedding feast. In my post Perseus and Andromeda: the 17th Century I embedded part of a TV production of Lully's Persée. Here is Phineus' petrification scene from a sound recording of the same opera:



The picture shown to accompany the sound recording above is Luca Giordano's painting from the early 1680s Perseus Turning Phineus and His Followers to Stone, now in London's National Gallery.

Towards the end of the first decade of the eighteenth century, Sebastiano Ricci painted Perseus Confronting Phineus with the Head of Medusa, which is now in Los Angeles's Getty Center. Jean-Marc Nattier's 1718 Perseus, Aided by Minerva, Petrifies Phineus and His Companions by Showing Them Medusa's Head is now in Tours's Musée des Beaux Arts.

Perseus and Andromeda: The 17th century

In the early 1600s Carlo Saraceni, inspired by Giorgio Vasari's Perseus and Andromeda, which we looked at in my previous post, produced the picture below of Andromeda in Chains, which is now in Dijon's Musée des Beaux-Arts, but not on their website.(the picture of coral on the left was produced by the United States National Oceanic and Atmpospheric Administration and is thus in the public domain. From wikicommons)



In 1610 Mozzarone painted a picture of Andromeda which is now in Florence's Uffizi Gallery.



Another similar painting by Joachim Wtewael shown above, dates from 1611 and is now in Paris's Louvre.







Rubens painted three versions of Perseus and Andromeda. The top picture is in St. Petersburg's State Hermitage while the middle picture is in Berlin's Gemälde Galerie Kulturforum, but not on their website. They were both painted in 1620 or 1621, while the bottom picture was one he was working on when he died in 1640 and is now in Madrid's Prado (direct link to picture not possible).



At about the same time as Rubens was painting the first two of his pictures of Perseus, Lully was composing an opera about Perseus and Andromeda: Persée, the opening of a recent TV production of which can be seen in the above embedded YouTube video. Other parts of this production are also available on YouTube.



Around 1630 Rembrandt painted the above picture, which is now in the Hague's Mauritshuis (scroll down).




The tapestry shown above was designed by Francis Cleyn and made from 1635-1645. It is now in London's Victoria and Albert Museum, but is not on their website.



The above 1679 painting by Pierre Mignard is now in Paris's Louvre.



Also in the Louvre are the above 1678-1684 statue of Perseus and Andromeda by Pierre Puget and a 1671 drawing by Claude Lorrain, depicting not Perseus's rescue of Andromeda but the creation of coral from seaweed by Medusa's head while Perseus is washing his hands in the sea after killing the monster. The drawing was preparation for the painting below, now in a private collection. (Picture of statue in the public domain according to museumsyndicate.com, picture below used under creative commons licence)



We'll finish this look at the 17th century with a 17th century copy of Guido Reni's 1635 Perseus and Andromeda in London's National Gallery (the original is in the Pallavicini collection in Rome, but not on their website) and a 1638 picture in the Los Angeles County Museum of Art, which may or may not be by Anthony van Dyck. It serves as the hook for this article from the Los Angeles Times on the re-attribution of works of art. (pictures not otherwise credited are in the public domain and come from wikicommons)

Cadmus and Hermione

Ovid now resumes the story of Cadmus, which was the first story in Book III. Cadmus and his wife Harmonia (aka Hermione) are turned into snakes. (public domain picture of Candice Marie Johnson right taken from wikicommons)

Faenza's Museo Internazionale delle Ceramiche has a decorated dish painted around 1565 from the workshop of Virgiliotto Calamelli. It is not on their website but can be seen on the Iconos website. In the next century Lully wrote the first tragédie lyrique in 1673 and took as his subject Cadmus and Hermione. The prologue below comes from YouTube where other extracts can also be seen.



The story of Cadmus and Hermione forms part of Matthew Arnold's 1852 dramatic poem Empedocles on Etna. Evelyn de Morgan painted the picture below of Cadmus and Hermione in 1877. It is now in London's De Morgan Centre. (public domain picture from museumsyndicate)